Showing posts with label Textile Technical File. Show all posts
Showing posts with label Textile Technical File. Show all posts

18 September 2013

Applique Fear Thyself Project

So initial thoughts after doing that. Image squeezing through the gaps. Trying to escape. Colours. Layers of a burger. Cake layers. Environment addiction layers of stuff. To much stuff. Scared fear. Distorted. Obesity. Rotting insides. Linked with addiction of substances addiction of having stuff. Having to much creates environmental issues.

Need to sort that ramble out and clicking the links explains a lot. Dye fabric
Looking at textile technique book.

Chiffon looks interesting. Straight away thinking I could use that. The fabric is quite bland and see through can be rag. Thinking hell and fear would be quite raggy. Cotton velvet accident is interesting. The corner accidentally fell in another dye and the folds give texture.
Linen quite pale. Wool his code felt dyed pink reminds me of brains. Looking at body parts rotting and what is happening to the body.

Environment rotting landfills. Death rotting colours.

Screen printing
Textures find textures
Puff interesting pearly rotting colours. Flock binder pale drab colour can be made from it.

Applique similar to devore rotting the fabric away.



7 May 2013

Sarah Lindstrom


sarah.lindstrom@network.rca.ac.uk
Location: Oslo, Norway/ London, UK
Member of NBK (Norwegian Visual Artists Association) and NTK (Norwegian Textile Artists)






Kim Winter


My name is Kim Winter and I live in London, UK.  I've had no formal training in textiles. I learnt to knit when I was at school, and was quite a keen knitter in my teens and twenties, but the pressures of work and travel meant that I didn't pick up my needles and yarn after that for about 15 years.
Then in September 2010 I signed up for evening classes in creative and experimental textiles at Morley College in London. It refired my enthusiasm for colour and texture, so I thought I'd keep a blog to chart my exploration of this exciting world. I've called it Flextiles, because my definition of textiles is quite loose, including plastic as well as fabric and yarn.




Inga Priedite - ZIB Textile


Why do you do what you do?

We do what we know best – we love textile and art. We studied at the Art Academy of Latvia Department of Textile Art MA programme. It is an enormous joy to put to use the knowledge and skills we have gained. Each day is another lesson of success and failure and we are proud of even the smallest accomplishments and growth. This is the main attraction of creative work – unceasing evolution and infinite possibilities. There are no limitations, we work according to the day’s feel and our own preferences and tomorrow always brings something new and interesting. It could be said that we like the production process itself – the execution way more than planning.

We are up to our ears in this work – literally – quite often it’s only when you’re already home from workshop, when you notice your cheek or ear is a pretty mint green now. The creative process has so organically blended with the daily life, it’s impossible to discern between work and leisure. Right now the production process is daily life and the photo shoots are the holidays. Then we can go wild and have fun – the models are our close friends. 

ZIB in Latvian means ‘to flash’ and that describes us quite well, we are expressive, impulsive and unpredictable. That reflects in our creation too, you never know what new design is going to be born tomorrow. Creation, though, is only part of the process; there is also presentation – including the photo shoots, which are insanely fun. 

We believe that we are creating something new and unique and are delighted when people appreciate and feel our work. We handpick our materials and use colours we love. We do love what we are doing.
source








Rachel Reynolds


Rachel Reynolds
Rachel Reynolds graduated from Loughborough University, with a BA (Hons) in Printed Textiles. After receiving an award from the Southern Arts Board and becoming a Prince's Trust supported business, Rachel was able to develop her work and continues to work as a freelance textile designer / artist and tutor.
In 2012 Rachel completed an MA in textile design (Distinction) at Winchester School of Art. This has broadened and extended her skills, predominantly bringing her hand drawn elements to the forefront of her designs. Rachel continues to implement her knowledge of traditional screen printing with new technology by combining hand drawn and collaged details with digitally printed aspects into her designs. The result is a fresh range of designs for fabrics, wall coverings and Perspex.
Rachel has experience of working to commission and has extended her product line to include; room dividers, upholstered furniture and site-specific Perspex artworks. Previous commissions have included: large scale contemporary backdrops within churches and building atria, alongside smaller wall hangings and textile pieces for the domestic interior.

Detail of wallcovering's'Viaduct' half drop repeat 52cm wallpaper'Southampton Fusion' half drop repeat 158cm wide width wallpaper
Detail of wallcovering's'Viaduct' half drop repeat 52cm wallpaper'Southampton Fusion' half drop repeat 158cm wide width wallpaper
MA exhibition - final project
MA exhibition - final project

Transient
Colour and Creation


Andrew Cullen

My old tutor uses screen printing in his work. This is some of his work.

Zine

Zine

Print

Print



Dionne Swift


Dionne Swift - Textile Artist

I studied Embroidery at Goldsmiths College, followed by a Masters at the University of Central England. I aim to translate my vision of the world into cloth by printing, dying and stitching at my Yorkshire based studio.
Supported by a collection of teaching qualifications, I have lectured at Higher Education level for over 20 years and continue to offer a selection of creative workshops both in the UK and abroad.




In the open-ness and tranquillity of the landscape, I find calm and inspiration. The open aspect is fresh and up lifting. The immense scale of the moors and valleys in Yorkshire constantly overwhelm me with their magnificence. I am intrigued by the intimacy of the sky and land with their ever-changing roles of solidity and translucency.

I use devoré processes on velvet to explore the changing structural qualities in the landscape.

I dye and hand paint the cloth, I over paint and employ dye reduction techniques to develop visual layers and the notion of depth
I aim to allow the processes selected to add to the development of the work. The techniques used are as important as the imagery depicted.
The devoré process was developed on C17th France as a means of creating a poor man’s lace. Devoré – to devour – to eat away/to burn out. The fabric I use is a combination of silk and viscose, the devoré process removes the viscose pile.


This artist is awesome. 


I have found a video of her demonstrating the technique.

22 February 2013

Stumpwork Day 2

Tracing around the neck area to make that bit.

Paper Tracing                        Foam                      Stretch Cotton

Sewn together

Leg and Arm



Arm


I still need to finish this

18 November 2012

Creating New Screen















Above are the designs I drew for the second screen. This time I wanted to use textures that I might be able to use on my final animal designs.







These are the designs from the first screen I made. I didn't really think about how I could use them for the designs so were just good for sampling.