Your proposal for the Fourth Plinth should take the form of a formal
document with illustrations of your proposed idea.
You should use formal language and set your proposal out in sections as
identified below.
Section 1: Outline the context for your work within the
guidelines of the brief, including your interpretation of the plinth and the
location. It should demonstrate your clear understanding of the purpose for the
proposal.
For this project I looked into the
six provided artists and discovered about Yinka Shonibare’s work. He uses his African
roots and his life in England to influence his work; I wanted to use this and
look at my roots and and find a way of using this to creating something for the
Fourth Plinth.
Idea of the fourth plinth
Section 2: Outline of your response to the proposal within the
context of section 1. What do you propose to do and what is the theme for your
sculpture? How will this engage the public?
I first looked at my history by
finding out about my hometown of Worksop by going to the library. I felt this
wasn’t related to my pathway of theatre design so I looked at theatre and
mostly into Pantomime, I didn’t feel I could do anything with this and changed
my idea to look at Traditional English crafts, this is to remind people of
traditional crafts and how people used to earn a living. After looking at
different crafts I looked at decided a hat would be good for the Fourth Plinth
because everyone used to wear hats and I wanted nostalgia to come into it. The
type of hat I chose was a top hat after looking at different traditional hats.
What I am going to do?
Section 3: Visualisation of your work. What will the work look
like? Which materials do you propose to use, how do you propose to manufacture
the work?
The hat would be made of felt and
would be made by using traditional hat making methods and people would help
make the hat by being shown by people who still make hats like this. Stephen
Jones would be a person to help. There would be a big hat making extravaganza in
the middle of Trafalgar Square. When made the hat will be put on top of the
Fourth Plinth and then will be surrounded in glass to keep the hat safe and
dry.
MPT
Section 4: The implications of the work. How will the work be
attached? What health and safety considerations are there, and how are they to
be answered? Limitations of your chosen materials and how do you propose to ensure safe and continual presentation
of your work?
Practicalities and health and safety
The health and safety implications
would be mostly from making the hat in Trafalgar Square, the number of people
and the materials used could be dangerous if inhaled and the steaming machine
does get hot so would have to have safety gear available. It would need to be
stable and well attached so that it could not fall off and cause harm to the general
public or other property. As mentioned
the material which would be used is felt, which would not maintain its shape in
the British weather. Glass would be used
so the hat maintains its shape. Research
of the grade of glass so that it would not break would be essential. This is again to protect the public from
shattered glass e.g if vandals attacked the piece. There would need to research into appropriate
insurances and permission to take this opportunity to display work in this very
public of places.
Section 5: Illustrations of your final proposed ideas. Digital
image of your work on the Fourth Plinth.
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